“冬日最愜意的時(shí)光大概是這樣的：窗外的白雪如羽，鼻尖的咖啡香，手裡握著的書本香，還有傳來一首好久不見的戀曲?！?br />
“The most pleasant moment in winter is probably when it snows outside the window, the aroma of coffee is flowing into the nose mixed with the smell of books at hand, while a romantic old song comes into the ear.”

“一杯好喝的咖啡”，以這個(gè)看似簡(jiǎn)單的標(biāo)準(zhǔn)，卻是對(duì)當(dāng)下青年社交狀態(tài)的探索。2020年Qing Coffee在北京潮流圣地三里屯選址開店，CUN寸DESIGN試圖用強(qiáng)烈的造型語(yǔ)言打破原空間的平靜，對(duì)原來的空間狀態(tài)制造一次視覺沖突。

空間從入口以頂部鏡面方式延伸至建筑內(nèi)部，并模糊室外與室內(nèi)的邊界。Yohji Yamamoto曾說：“自己”這個(gè)東西是看不見的，撞上一些別的什么，反彈回來，才會(huì)了解“自己”。鏡子這種設(shè)計(jì)材料的運(yùn)用，不僅通過鏡面反射擴(kuò)大有限空間的視覺體驗(yàn)，并且營(yíng)造出一個(gè)無限的空間，不斷重復(fù)以至無窮遠(yuǎn)方的感受，或許會(huì)帶給客人的這種感受是一種盜夢(mèng)空間中的虛擬鏡世界，夢(mèng)幻與現(xiàn)實(shí)中的往來同存。空間除去門的另一自然光源入口，設(shè)計(jì)選擇圓形窗進(jìn)行內(nèi)外對(duì)話。一定厚度的圓形窗口，創(chuàng)造的好奇感以吸引來來往往的人群注目，對(duì)內(nèi)也成為每個(gè)到店顧客的打卡點(diǎn)。

審美，藝術(shù)的沖動(dòng)
Aesthetic, an artistic impulsion

Alexander Calder 亞歷山大·考爾德一生都在不斷探索關(guān)于時(shí)間和空間、物質(zhì)和生命以及宇宙能量運(yùn)動(dòng)法則。他的動(dòng)態(tài)雕塑構(gòu)建起了一個(gè)個(gè)微觀“宇宙”，以整個(gè)宇宙系統(tǒng)為基本形式，與空間、光線和空氣的流動(dòng)相互協(xié)調(diào)，隨著作品的運(yùn)動(dòng)，時(shí)間也在流淌。我們鐘愛考爾德的動(dòng)態(tài)雕塑，球狀動(dòng)態(tài)雕塑在空間的運(yùn)動(dòng)使得空間更加溫馨可愛。

新零售空間，強(qiáng)調(diào)的不僅是人在空間的行為動(dòng)態(tài)和感受，更是一段時(shí)間的精神鎖定。圓在人的精神領(lǐng)域更是不可或缺，幾乎完美的形狀使用在空間內(nèi)進(jìn)行重新排列結(jié)構(gòu)。在整體以灰色為基底，設(shè)計(jì)讓空間更加純粹，從而感受彼此和產(chǎn)品。

The new retail space emphasizes not only the human behaviors and feelings in space, but also the spiritual status for a period of time. Circle is indispensable in the realm of spirit; this almost perfect shape is used to rearrange the structure in the space. Based on gray palette, the design makes the space more pure, so that people will pay more attention to products.

整體空間既可以被看作是一個(gè)生活方式虛體，又可以由實(shí)體空間反轉(zhuǎn)而成。為了說明這種虛與實(shí)，正與負(fù)的相對(duì)關(guān)系框架所形成的空間，平面布局中墻體的布置將空間一分為二。空間的左右區(qū)分則想傳遞的是兩種品嘗咖啡的氛圍狀態(tài)「休閑小聚+都市快捷」，滿足三里屯人休息品嘗咖啡的慢節(jié)奏，也符合黃金地帶白領(lǐng)的快捷提神的需求。

The entire space can be regarded as a virtual container of life style, and it also can be formed by the inversion of physical space. In order to showcase that the space is formed by the relative relationship between virtual and real, positive and negative, the wall divides the space into two parts in the layout. The left and right distinction of space aims to create two atmospheres of coffee tasting, that is casual gathering and urban fast life. The layout can satisfy the slow lifestyle for rest and coffee, and it can also meet the fast and refreshing needs of white-collar workers in the golden zone.

電影《2001太空漫游》Qing Coffee空間中旋轉(zhuǎn)的燈盤裝置來源于旋轉(zhuǎn)的探測(cè)體，在空間里探索生命的美好相遇與溫度。

咖啡操作區(qū)是空間的視線焦點(diǎn)，頂面圓形藝術(shù)旋轉(zhuǎn)藝術(shù)裝置與吧臺(tái)對(duì)應(yīng)擺放。并且只有一半裝置留有燈源，這樣的設(shè)定使每個(gè)顧客在品嘗咖啡的同時(shí)，每個(gè)角度所關(guān)注到的這個(gè)藝術(shù)裝置的不同光感映射形態(tài)和的視覺互動(dòng)，結(jié)合只有一半鏡面的疊加，空間不在是以單維度的存在。

The coffee operating area is the focal point of the space. The circular rotating art installation is placed corresponding to the bar counter. And only half of the installation is left with a light source, so that when tasting the coffee, each customer can have a different impression of the installation caused by different angles and light mappings. Combined with the only half of the mirror reflection, the space is no longer in a single dimension.

同元素的運(yùn)用，800mm面寬的環(huán)形吧臺(tái)緩和了原有長(zhǎng)形空間的深度，組成三個(gè)獨(dú)立的咖啡操作區(qū)：手沖分享區(qū)域；收銀與甜品選擇區(qū)域；意式咖啡制作區(qū)域，圓形的選擇可以使員工兼顧來自任何方向的服務(wù)需求。

The similar design element is echoed in the 800mm-wide circular bar, which alleviates the depth of the original long space, forming three independent coffee operation areas: hand drip sharing area, cashier and dessert selection area, and Italian coffee making area. The selection of circular enables employees to take care of customer needs from any direction.

邂逅，一杯咖啡的距離
Encounter, the distance of a cup of coffee

電影愛在系列三部曲，男女主的相遇與漫談伴隨著咖啡，多年后任然記憶猶新。咖啡廳帶來的是歲月靜好，沒有往事，也不必有未來，靜默安然，只靜靜地傾聽喜愛之人的說過的話語(yǔ)，像杯中咖啡一樣細(xì)細(xì)研磨過的，水乳交融的細(xì)膩與絲滑柔順。與其他三里屯商業(yè)商戶不同，這里隔絕了城市的噪雜，與Qing Coffee LOGO拼接元素相近的地面拼接水磨石，讓這里回歸了無需雕琢的天然。

A trilogy of the movie Love in the series, the encounter and talk of the male and female protagonists are accompanied by coffee, which is still fresh in memory many years later. What the coffee shop brings is the peace and goodness of the times. There is no past, and there is no need to have a future. It is quiet and peaceful, and it quietly listens to the words spoken by the lovely people. Just like the finely ground coffee in a cup, it is delicate and smooth in complete harmony. Different from other shops in Sanlitun, it isolates the noise of the city. The splicing terrazzo floor with similar elements of the brand logo makes it a natural place without carving.

座位區(qū)的設(shè)計(jì)上拋棄了不必要的造型和材料疊加，并重新分布，分散和重組過程中形成一種有意味的表現(xiàn)力豐富的空間，用更加簡(jiǎn)練的方式靜態(tài)表達(dá)家具，一動(dòng)一靜讓視覺和味覺保持良好關(guān)系，一分一合闡述了空間的節(jié)奏。每個(gè)人的行動(dòng)與落座和空間產(chǎn)生良好互動(dòng)關(guān)系。

The design of the seating area avoids unnecessary shapes and stacking materials. In the process of dispersion and reorganization, a meaningful expressive space is formed. The furniture is statically expressed in a more concise way, balancing the relationship between visual sense and taste. The division and combination make a good rhythm of space, where everyone’s actions have a good interaction with space.

靜靜地傾聽，Qing Coffee也許不會(huì)留存他們之間說過什么，卻一定記住了那些話的味道，泛起的咖啡的余香，綿揉著三分之一咖啡般的人生閱歷、三分之一牛浮般的內(nèi)在修為，三分之一奶泡般的知性風(fēng)情。邂逅，只不過是一杯咖啡的距離。

Listening quietly, Qing Coffee may not retain what they have said, but it must remember the taste of those words and the lingering aroma of coffee, which are mixed with one third of the coffee-like life experience, one third of the internal cultivation, and one third of the intellectual style like milk foam. Encounters are just in the distance of a cup of coffee.

該項(xiàng)目面積約200平米，改造前的店鋪空間較為封閉，對(duì)于往來的三里屯人而言，無疑是較難辨別出其咖啡店屬性的。設(shè)計(jì)師認(rèn)為改造后的店鋪應(yīng)具有開放性，不但可以讓在外的行人看到店中，亦能讓坐于店內(nèi)的客人品嘗咖啡芬芳同時(shí)欣賞往來的現(xiàn)實(shí)世界。

The project covers an area of about 200 square meters. Before renovation, the space is relatively closed which makes it difficult to stand out in the busy Sanlitun area. The design emphasizes the openness of café. In this way, the passerby can see the inside of Qing Coffee, and the guests can have a view of outside world while sitting inside and enjoying the coffee.

燈光布置方面，采取圓形投射燈為主的表現(xiàn)，除去基本光照以外，讓光束使每個(gè)產(chǎn)品完美的呈現(xiàn)。白色石材制作的圓形臺(tái)面，精準(zhǔn)的切割讓石材展臺(tái)呈現(xiàn)及其干凈，精致且高級(jí)。

When it comes to lighting, circular projection lamp is used to make each product perfectly presented. The round countertop made of white stone has precise cutting, making it clean, exquisite and upscale.

分割兩側(cè)的隔墻則是左右空間的鏈接，但并不完全隔離。透過圓形序列的小孔可以窺探另一面，陣列的排布讓空間的藝術(shù)性不僅是表面的袒露和呈現(xiàn)，而是將存在于同一空間的兩種不同表達(dá)合二為一。

The partition wall is the connection between the left and right spaces which are not completely isolated but can be seen through the sequential small circular holes. The array arrangement showcases the artistry of space and integrates the two different expressions existing in the same space.

Project Name | 項(xiàng)目名稱：Qing Coffee晴咖啡
Location | 項(xiàng)目地址：北京 · 三里屯
Area | 項(xiàng)目面積：300㎡
Design Company | 設(shè)計(jì)師公司：CUN寸DESIGN
Cheif Designer | 主創(chuàng)設(shè)計(jì)師：崔樹 林孟丹
Photography | 攝影：王廳

DESIGNER
設(shè)計(jì)師介紹

(林孟丹、崔樹）

林孟丹

畢業(yè)于魯迅美術(shù)學(xué)院的90后

用心去對(duì)待每個(gè)空間，不斷創(chuàng)新，定制專屬個(gè)人及品牌的方案，將空間做到極致，在極致的空間處理細(xì)節(jié)。
習(xí)慣用建筑手法組合空間結(jié)構(gòu)，功能區(qū)不相互束縛使動(dòng)線流暢貫通。
把空間做到整體化、個(gè)性化使作品有更多的可能性。
將結(jié)構(gòu)、材質(zhì)及燈光靈活運(yùn)用，展現(xiàn)不同空間魅力。
同時(shí)也在設(shè)計(jì)的過程中尋找自己，打造出質(zhì)感與情感并存的作品。

獎(jiǎng)項(xiàng)榮譽(yù)：
2020 AD100 YOUNG 中國(guó)最具影響力100位建筑和室內(nèi)設(shè)計(jì)新銳獎(jiǎng)

崔樹

CUN DESIGN 寸品牌創(chuàng)始人

作為一位80年代出生的設(shè)計(jì)師
身上充滿了這個(gè)時(shí)代的符號(hào)，
集叛逆，個(gè)性，細(xì)致，嚴(yán)謹(jǐn)于一身
與當(dāng)下最時(shí)尚的元素緊密相連
“不做經(jīng)驗(yàn)設(shè)計(jì)的奴隸，
不是審美趨勢(shì)的附庸者；
不斷超越自己！”
是他的信條，
代表著亞洲年輕設(shè)計(jì)師在世界范圍內(nèi)不斷發(fā)聲。

2015中國(guó)設(shè)計(jì)星全國(guó)總冠軍
2016 INTERIOR DESIGN 中文版封面人物
臺(tái)灣兩岸設(shè)計(jì)封面人物
2019中國(guó)設(shè)計(jì)年度人物

2016年受邀請(qǐng)米蘭設(shè)計(jì)周于意大利進(jìn)行“Young/Design/Chinese”主題分享
2016年受邀英國(guó)倫敦Inchbald設(shè)計(jì)學(xué)院進(jìn)行“從中國(guó)審美到世界設(shè)計(jì)”主題演講
2016年作為最年輕的設(shè)計(jì)分享嘉賓于北大百年講堂進(jìn)行 《格調(diào)》主題分享
2016年成為最年輕獲得Andrew Martin大獎(jiǎng)的亞洲新面孔
2016年獲得美國(guó)IIDA全球卓越設(shè)計(jì)大獎(jiǎng)
2016年成為40 UNDER 40 中國(guó)設(shè)計(jì)杰出青年
2017年同時(shí)獲得紅點(diǎn)與IF雙項(xiàng)德國(guó)設(shè)計(jì)大獎(jiǎng)
2017年獲得全球Architizer A+設(shè)計(jì)獎(jiǎng)
2017年獲得意大利A‘ Design獎(jiǎng)
2017-2019年獲得臺(tái)灣TID空間設(shè)計(jì)大獎(jiǎng)
2018 年獲得第十四屆中國(guó)設(shè)計(jì)業(yè)十大杰出青年-光華龍騰獎(jiǎng)
2018 年獲得Architecture Press Release（APR）國(guó)際可持續(xù)建筑商業(yè)室內(nèi)類別一等獎(jiǎng)
2019 年獲得第十二屆佛羅倫薩雙年展【達(dá)芬奇2019室內(nèi)設(shè)計(jì):金獎(jiǎng)】
2020 年獲得FX Design Awards「公共空間」獎(jiǎng)
2020年獲得A+ Awards 2020「商業(yè)展廳」空間類別獎(jiǎng)
2020年獲得臺(tái)灣TID2020「零售空間」類別獎(jiǎng)
2020年獲得APIDA 2020「設(shè)施及展覽空間」空間類別獎(jiǎng)
2020年入圍英國(guó)SBID Awards
2020年獲得美國(guó)Best of Year 榮譽(yù)獎(jiǎng)