自然的回歸以及詩意的棲居——是這次風(fēng)合睦晨為金科棗莊集美天宸銷售中心設(shè)計時所要傳遞和表達的主要精神訴求。尋回中國式的清幽雅致狀態(tài)，讓節(jié)奏慢下來，過一種真正健康的閑適和覺醒的生活。
The return to nature and capturing of poetic flavor is the core statement and emotional appeal in the design by Fenghemuchen for the sales center of the Jinke JiMeiTianChen in Zaozhuang. They sought to recreate the tranquility and elegance of traditional Chinese style, and to live a truly healthy and awakened life by slowing down the paces.

通過對造物、文化、生活方式的汲取沿襲，打造出獨有的東方人居審美表現(xiàn)體系。用最自然的方式，將健康療愈的理念與感受傳達給置身空間中的每一個人。漫步其中，卸下所有的社會屬性, 讓精神得以放松，壓力得以排解。
Drawing inspiration from traditional Chinese craftsmanship, culture and lifestyle, the designers have managed to find a unique way in expressing aesthetics of oriental residences. The idea of wellbeing and healing is conveyed to everyone entering the space in the most natural way, allowing them to turn away from stress and burdens in life for a moment and getting relaxed.

另外，基于對中國古典的人文精神和齊魯文化質(zhì)樸氣質(zhì)重新深入詮釋，設(shè)計師持續(xù)在空間中探索自然東方的設(shè)計語言，力求將空間秩序進行重新梳理和解構(gòu)，以現(xiàn)代的設(shè)計語匯呈現(xiàn)出全新的空間感受。試圖構(gòu)建出一處能夠洗凈心垢，重返心靈詩境的精神處所，也同時構(gòu)筑出一件充滿藝術(shù)靈性及自我感悟的回歸東方文化意境的空間設(shè)計作品。
In addition, based on the in-depth interpretation of Chinese classical humanism and ancient Qilu cultural heritage, the designers, keeping exploring the authentic oriental design language throughout the space, make each and every effort to reorganize and deconstruct orders in this space, and present a new feeling with modern design language. In an attempt to create a spiritual space that can purify our minds and lead a way to return to a poetic world, they are ambitious to build a space featuring oriental artistic and cultural elements full of artistic spirituality and self-perception.

整體的空間構(gòu)想來自于傳統(tǒng)的“合”與“舍”的概念，“合”是圍合、聚合、合則成體的意思,“舍”是居所、家的概念，也有取舍、釋然的意念。
The overall conception of the space is derived from the Chinese characters of “合” and “舍”, “合” means “completeness, convergence and reunion”, while “舍” has two meanings: one is a residence, and another one is the concept of making a choice and feeling a sense of relief.

為了尋求“山水聚合、藏風(fēng)得水”的傳統(tǒng)建筑理念，空間中被并列地置入大型的木質(zhì)構(gòu)架作為整體建構(gòu)和分割空間的主體骨骼造型, 形成“舍”的框架結(jié)構(gòu)部分。
In order to leverage the traditional Fengshui architectural wisdom of “captivating the spirit of mountain and water for storing the good things”, large wooden frames are placed in sequence throughout the space as the main structure and space division, forming a framework structure resembling the character “舍”.

構(gòu)架的頂部吸收并運用了中國古典殿閣與井亭的“盝頂”建筑造型樣式，形成四角上揚收合的形態(tài)，凸顯出生命氣息與能量聚合的理念，同時在聚合的頂部留出可呼吸的天窗氣口 , 充分地吸納天地靈氣和流轉(zhuǎn)的太陽光線。從而形成“舍”的傾斜式頂部結(jié)構(gòu)部分?！氨J頂”的運用，產(chǎn)生出高低起伏、聚合離散的空間節(jié)奏，也營造出林泉丘壑、山野幽僻的悠遠意境。
The roof of the space is inspired by the traditional architectural form of “l(fā)uding”, which is primarily used in Chinese pavilions and palaces. It is a rectangular roof and high rising tilts leaning towards the center on all four corners, representing the convergence of vitality and energy. At the same time, a skylight is made at the top part where the elements converge, so as to let in the “Qi” and sunlight. This forms the inclined top structure part of character “舍”. The use of “l(fā)uding” not only produces the spatial rhythm of ups and downs, convergence and dispersion, but also creates a sense of seclusion.

另外，針對主體沙盤區(qū)和深度洽談區(qū)等主要的空間場域，上挑的頂部能量再次被聚合起來，以同樣聚合的造型再次向下方的功能承接區(qū)域傳遞能量，同時起到過濾上部光線及凝聚并傳導(dǎo)能量和氣息的功能。
In addition, for main areas such as the sand table and the in-depth negotiation area, tilted roof is again used to converge energy, and then transmit energy to the lower functional area. At the same time, they serve the purpose of screening the light from above, and bringing energy and Qi together.

空間以木色和素水泥灰為主調(diào)。設(shè)計語言的運用和材質(zhì)選用上盡力做到簡單平實少而純粹。木質(zhì)格柵造型被大面積的運用在空間當中作為各個功能區(qū)域的分割與間隔，讓空間既通透又讓各個功能區(qū)間隔有致。看似簡單的設(shè)計除卻了表面的粉飾，簡約簡樸卻引人入勝。原木材質(zhì)的運用營造出安靜溫暖的心靈療愈氛圍，從而起到平復(fù)心靈的作用。設(shè)計手法看似平淡卻釋放了材質(zhì)本身的魅力，讓空間形成一種不事張揚的氣場。將具象的空間以抽象化的方式打造出簡約而樸素、靜謐而無常的空靈氣息。
The space is dominated by wooden and plain cement grey in color. The design language and material selection are kept simple, plain, minimal and pure. Wooden grilles are widely used as space division between different functional areas, so that the space is both transparent and orderly between each functional area. The deceptively simple design has got rid of pompous decoration, creating a modest yet fascinating style. Using wood creates a calm and warm atmosphere for healing the mind. The seemingly dull design highlights the charm of the materials, creating unobtrusive atmosphere. The concrete space is transformed into a simple, tranquil, flowing and ethereal environment with an abstraction approach.

整座建筑的外圍為大面積的水景環(huán)繞，設(shè)計師順勢也將水的概念自然地導(dǎo)入室內(nèi)，枯山水和靜水水缽的運用為空間帶來“溪花與禪意，相對亦忘言”的空靈意境。清澈的流水散發(fā)出空空聲響，于清靜處浸潤人心。
The building is surrounded by large areas of waterscape. The designers introduce the water concept into the interior naturally. The use of dry rock landscape and still water bowl creates an ethereal touch of “juxtaposing of wild flower and Zen state”, while the lyrical sound of running water has a calming and healing power to the heart in this serene place.

在入口門庭處與主要的深度洽談區(qū)之間，設(shè)計師特別設(shè)計了一面大型的藝術(shù)裝置隔斷，隔斷由密集的炭燒木條以縱向的排列組合橫向延展而成，進一步的傳達出“竹密豈妨流水過”及“四面竹樹環(huán)合”的空間虛隱意象。
Between the entrance porch and the main in-depth negotiation area the designers specially set up a large art installation, which is made of a series of dense burned wood strips arranged vertically, further conveying the spatial image of “however dense bamboo bushes are, they cannot hinder the flowing waters” and “surrounded by bushes on all sides”.

設(shè)計師使用這樣的當代藝術(shù)視覺元素探尋中國傳統(tǒng)的精神文脈，延續(xù)著以意取象的藝術(shù)設(shè)計手法，釋放出特有的靈性與詩情，于無形中滿足和激發(fā)了我們內(nèi)心積存已久的審美文化需求以及情感共鳴。將空間感知與自然靈性、傳統(tǒng)感悟與當代審美巧妙融合，于傳承中步入升華。
By using such contemporary visual elements to represent the spiritual context of Chinese culture, the designers inherit traditional art creation technique of taking images for meaning to unlock the unique inspiration and artistic conception. It subtly meets our long-standing aesthetic and cultural needs, striking a resonant cord in emotion. The combination of space perception with natural inspiration, traditional experience with contemporary aesthetics will bring our cultural inheritance to a higher level.

在完成功能需求的同時，設(shè)計師將可見的有形空間轉(zhuǎn)化為無形的精神與情感痕跡，在樸素與靜謐中體會獨特的詩情畫意。打破傳統(tǒng)與現(xiàn)代、夢想與現(xiàn)實的邊界，將美學(xué)與生活合而為一。為生活在忙碌、嘈雜的現(xiàn)代都市里的人們提供了一處虛實相生、繁簡相宜，能夠回歸自然與人性精神本位，再次找回自身真正內(nèi)在情性的靈性空間。讓空間與自然融合,舊的文脈與新的元素共生，再加入現(xiàn)代的構(gòu)思構(gòu)建出親切閑適、清靜自性，讓生命與靈魂得以溝通的藝術(shù)空間。
In addition to fulfilling the functional requirements, the designers transform the tangible space into intangible spiritual and emotional touches, and convey a unique poetic and picturesque feeling in sheer simplicity and tranquility. Breaking the boundary between tradition and modernity, dream and reality, they manage to combine aesthetics with life, providing an idyllic, minimal, natural and spiritual retreat for people living in the hustle and bustle of modern metropolis to find and return to their true self. This is where space and nature merge, old heritage and new elements coexist. With the addition of a modern touch, they build an intimate, relaxed, comfortable, quiet and natural artistic space where our body and soul can link and align.

平面圖

項目名稱：金科棗莊集美天宸銷售中心
硬裝設(shè)計：風(fēng)合睦晨空間設(shè)計
軟裝設(shè)計：風(fēng)合睦晨空間設(shè)計
軟裝執(zhí)行：AOD
設(shè)計師：陳貽 張睦晨
撰文：陳貽
項目地址：山東棗莊
項目面積：1220m2
項目完成時間：2020年04月
攝影：孫翔宇