覺 | 設計中國 常州館
參考造價：暫未填寫|
空間：商業(yè)展示|
面積：1000平米|
瀏覽數：856
案例簡介 Case description
在佛典里，“青青翠竹，總是法身”。我們想利用光影的變換，以及大面積的留白手法，試圖去還原一個關于“竹”的世界及縮影。追“耳濡清風徐來意，目及竹浪起伏時”，來表達以“竹”為主題的一次設計詮釋。當我們要把美好的想法付諸于實踐，所需要的是一系列專業(yè)的思考，材料的考量、結構的運用、燈光的選擇等等，更重要的是設計者與被設計對象彼此信息的交換，從而注入洞察與覺知。
我們通過情緒、光感、層次，去詮釋整個空間感覺，營造出白駒過隙的空間氛圍。強調了人與空間、空間與光、光與人之間的關聯(lián)，進而讓人感知到時間在其中游走，而空間的白凈讓本就純質的空間又置身于“若有若無“的空靈境界之中，你中有我，我中有你。
PVC的“竹”與燈光結合，指引參觀者徜徉在竹林小道之間。錯綜復雜的排列預示在人生的進程中有著各種突如其來的變化與困頓，我們雖身在其中無法擺脫，但終究會隨著時間的推移而向著更美好的方向走去。因此我們將設計與生命哲學，民族文化、藝術美學相融合，在設計創(chuàng)新中重新理解人與生命之間的關系，為空間注入更深一層的思考和自省。
“覺”的設計框架十分極簡現代，但在框架的背后，是飽含對于中國傳統(tǒng)文化的理解和堅守，尊重文化，回歸自然， 而“竹”的世界能夠帶給你們什么樣的感受及感悟，這樣的一個世界是否有足夠的溫度，你們在這里能夠留下什么，離開時又能帶走些什么，以及在這個設計中能夠賦予這個“竹”的世界什么樣的特點... 我們更多的是想由你們來創(chuàng)造其中的故事，以及引起你們對喧嘩世界的一份內心回歸及堅守。
邵龍于廣州 2020.12.3
“覺”，取自“佛者覺也，故應愛智”，在佛教中，三覺指自覺，覺他，覺行圓滿也。由此衍生出設計自覺，設計覺醒，設計感覺（視、聽、觸、嗅、感，謂之五感）三個概念。
“catch sight”Taken from "The Buddha is aware of oneself, so he should love wisdom." In Buddhism, three enlightenments refer to self-consciousness. From this, three concepts are derived: design consciousness, design awakening, and design sense (seeing, hearing, touching, smelling, and feeling).
項目名稱 | 設計中國 · 常州館
Project Name | Design China · Changzhou Pavilion
項目地址 | 中國 · 廣州
project address | China · Guangzhou
項目類型 | 展示空間
Project Type | Exhibition space
主要材料 | 鏡面不銹鋼/ LED屏/多層板/PVC管/涂料
Main material | Mirror stainless steel，LED screen，Multilayer board，PVC pipe，Coating
主創(chuàng)設計 | 邵龍
Master designerr | Long Shao (Leo)
設計團隊 | 艾英杰 / 陳國慶 / 陳炘 / 顧文博 / 蔣國成 / 王奕云 / 郗琪 / 周洋
Design team | Ai Yingjie, Chen Guoqing, Chen Xin, Gu Wenbo, Jiang Guocheng, Wang Yiyun, Xi Qi, Zhou Yang
項目統(tǒng)籌 | 曹揚
Project coordination | Cao Yang
燈光顧問 | 第壹舍燈光
Light consultant | First house lighting
策劃單位 | 設計常州Design
Planning unit | Design Changzhou
聯(lián)合策展人 | 艾英杰 / 曹揚 / 陳國慶 / 陳炘 / 顧文博 / 蔣國成 / 邵龍 / 王奕雲 / 郗琪 / 周洋
Co-curator | Ai Yingjie, Cao Yang, Chen Guoqing, Chen Xin, Gu Wenbo, Jiang Guocheng, Wang Yiyun, Xi Qi, Zhou Yang
項目贊助 | 法國寫意空間 / 德運世家 / 德國斯寶亞創(chuàng) / 德國漢諾地板 / 德賽斯巖板 / 第壹舍燈光設計 / ELOGLIO意式整木整裝 / 瑞士勞芬衛(wèi)浴 / 金意陶瓷磚
Project sponsorship | Freehand Space in France, RELUCK hardware, Spautronia, STIEBEL ELTRON, Hanover Floor, Desais Slate，First House Lighting，ELOGLIO，Laufen，KITO
攝影 | Raitt
Photographer | Raitt
“catch sight”Taken from "The Buddha is aware of oneself, so he should love wisdom." In Buddhism, three enlightenments refer to self-consciousness. From this, three concepts are derived: design consciousness, design awakening, and design sense (seeing, hearing, touching, smelling, and feeling).
項目名稱 | 設計中國 · 常州館
Project Name | Design China · Changzhou Pavilion
項目地址 | 中國 · 廣州
project address | China · Guangzhou
項目類型 | 展示空間
Project Type | Exhibition space
主要材料 | 鏡面不銹鋼/ LED屏/多層板/PVC管/涂料
Main material | Mirror stainless steel，LED screen，Multilayer board，PVC pipe，Coating
主創(chuàng)設計 | 邵龍
Master designerr | Long Shao (Leo)
設計團隊 | 艾英杰 / 陳國慶 / 陳炘 / 顧文博 / 蔣國成 / 王奕云 / 郗琪 / 周洋
Design team | Ai Yingjie, Chen Guoqing, Chen Xin, Gu Wenbo, Jiang Guocheng, Wang Yiyun, Xi Qi, Zhou Yang
項目統(tǒng)籌 | 曹揚
Project coordination | Cao Yang
燈光顧問 | 第壹舍燈光
Light consultant | First house lighting
策劃單位 | 設計常州Design
Planning unit | Design Changzhou
聯(lián)合策展人 | 艾英杰 / 曹揚 / 陳國慶 / 陳炘 / 顧文博 / 蔣國成 / 邵龍 / 王奕雲 / 郗琪 / 周洋
Co-curator | Ai Yingjie, Cao Yang, Chen Guoqing, Chen Xin, Gu Wenbo, Jiang Guocheng, Wang Yiyun, Xi Qi, Zhou Yang
項目贊助 | 法國寫意空間 / 德運世家 / 德國斯寶亞創(chuàng) / 德國漢諾地板 / 德賽斯巖板 / 第壹舍燈光設計 / ELOGLIO意式整木整裝 / 瑞士勞芬衛(wèi)浴 / 金意陶瓷磚
Project sponsorship | Freehand Space in France, RELUCK hardware, Spautronia, STIEBEL ELTRON, Hanover Floor, Desais Slate，First House Lighting，ELOGLIO，Laufen，KITO
攝影 | Raitt
Photographer | Raitt
▲ 展館概覽 / Pavilion overview
展館從外觀設計至室內形態(tài)，運用簡潔的線、面結構，為空間提供思考媒介。
From exterior design to interior form, the pavilion uses simple line and surface structure to provide a medium for thinking in the space.
展館從外觀設計至室內形態(tài)，運用簡潔的線、面結構，為空間提供思考媒介。
From exterior design to interior form, the pavilion uses simple line and surface structure to provide a medium for thinking in the space.
▲ 展館入口 / Entrance
當進入展館，參觀者可以在“竹林”間的小徑自由的穿梭，營造出空靈、又略帶神秘的空間氛圍。
When entering the exhibition hall, visitors can freely shuttle through the paths between the "bamboo forests", creating an ethereal and slightly mysterious atmosphere.
當進入展館，參觀者可以在“竹林”間的小徑自由的穿梭，營造出空靈、又略帶神秘的空間氛圍。
When entering the exhibition hall, visitors can freely shuttle through the paths between the "bamboo forests", creating an ethereal and slightly mysterious atmosphere.
▲ 旋轉裝置 / Rotating device
展館內部設置了三個可旋轉墻體，在隨著空間功能變化的同時隨之變化，自由旋轉的屏幕，從意識上注入表達內容，以沉浸式影像釋放內在能量，將生活的暢想轉化為可感知的視覺語言，激發(fā)不可復制的生命力。
Three rotatable walls are set up inside the pavilion, which change as the space functions change. The freely rotating screen injects expression content from consciousness, releases inner energy with immersive images, and transforms the imagination of life into Perceivable visual language stimulates vitality that cannot be copied.
展館內部設置了三個可旋轉墻體，在隨著空間功能變化的同時隨之變化，自由旋轉的屏幕，從意識上注入表達內容，以沉浸式影像釋放內在能量，將生活的暢想轉化為可感知的視覺語言，激發(fā)不可復制的生命力。
Three rotatable walls are set up inside the pavilion, which change as the space functions change. The freely rotating screen injects expression content from consciousness, releases inner energy with immersive images, and transforms the imagination of life into Perceivable visual language stimulates vitality that cannot be copied.
▲ 展廳細節(jié) / Detail
進入展館底部，當輕觸純白的墻體，旋轉的時空門隨即打開，茭白的光芒似乎與外界隔絕，讓人產生對未知世界的探索沖動。
Entering the bottom of the pavilion, when you touch the pure white wall, the revolving door of space-time opens immediately, and the light of wild rice seems to be isolated from the outside world, giving people an impulse to explore the unknown world.
進入展館底部，當輕觸純白的墻體，旋轉的時空門隨即打開，茭白的光芒似乎與外界隔絕，讓人產生對未知世界的探索沖動。
Entering the bottom of the pavilion, when you touch the pure white wall, the revolving door of space-time opens immediately, and the light of wild rice seems to be isolated from the outside world, giving people an impulse to explore the unknown world.
▲ 360度旋轉不銹鋼 / 360 rotating stainless steel
而另一面，360度旋轉的鏡面不銹鋼，在光線游歷間使空間產生變幻，虛實相交，繼而讓所處在場域中的人充滿自由，詩性而又溫柔。
On the other side, the 360-degree rotating mirrored stainless steel makes the space change during the light travels, intersecting the real and the virtual, and then making the people in the field full of freedom, poetic and gentle.
而另一面，360度旋轉的鏡面不銹鋼，在光線游歷間使空間產生變幻，虛實相交，繼而讓所處在場域中的人充滿自由，詩性而又溫柔。
On the other side, the 360-degree rotating mirrored stainless steel makes the space change during the light travels, intersecting the real and the virtual, and then making the people in the field full of freedom, poetic and gentle.
▲ 竹林光影 / Bamboo forest light and shadow
古語有云：云月有殊,光影無別。竹林本身就有種幽涼的感覺,寂靜感總能讓人在這里靜下心來欣賞這竹林深處的光影斑駁，恍如隔世。
The old saying goes: Clouds and moons are special, and light and shadow are indistinguishable. The bamboo forest itself has a sense of coolness, and the sense of silence always makes people calm down and appreciate the mottled light and shadow in the depths of the bamboo forest, as if a world away.
古語有云：云月有殊,光影無別。竹林本身就有種幽涼的感覺,寂靜感總能讓人在這里靜下心來欣賞這竹林深處的光影斑駁，恍如隔世。
The old saying goes: Clouds and moons are special, and light and shadow are indistinguishable. The bamboo forest itself has a sense of coolness, and the sense of silence always makes people calm down and appreciate the mottled light and shadow in the depths of the bamboo forest, as if a world away.
▲ 覺 / LOGO
設計，在思考中自覺；在不斷變化的時間流逝中覺醒，我們企圖通過這樣一次嘗試，用設計師的方式，表達自我并更清醒的認知當下的設計與變化。
Design is conscious in thinking; awakening in the ever-changing passage of time, we try to express ourselves in a designer's way through such an attempt, and to more clearly recognize the current design and changes.
展館全景：請鎖屏橫向預覽
Please lock screen horizontal preview
設計，在思考中自覺；在不斷變化的時間流逝中覺醒，我們企圖通過這樣一次嘗試，用設計師的方式，表達自我并更清醒的認知當下的設計與變化。
Design is conscious in thinking; awakening in the ever-changing passage of time, we try to express ourselves in a designer's way through such an attempt, and to more clearly recognize the current design and changes.
展館全景：請鎖屏橫向預覽
Please lock screen horizontal preview
開放式結構使所有區(qū)域一目了然,白色界面由外到里延展整個空間，低調而靈透。空間中自由交錯的白色立柱，是對“江南竹林秘境”的抽象化表達，是設計創(chuàng)意路上的“曲徑通幽”，更是映射設計師大腦內部復雜的神經構造。自然、人文、空間，通過設計師的構思、提煉與轉換，形成精彩紛呈的自由世界。
The open structure makes all areas clear at a glance, and the white interface extends the entire space from the outside to the inside, low-key and clear. The freely interlaced white columns in the space are abstract expressions of the "Secret of the Bamboo Forest in the South of the Yangtze River", the "windy path leading to the quiet" on the road of design creativity, and it also reflects the complex nerve structure inside the designer's brain. Nature, humanities and space, through the designer's conception, refinement and transformation, form a splendid free world.
The open structure makes all areas clear at a glance, and the white interface extends the entire space from the outside to the inside, low-key and clear. The freely interlaced white columns in the space are abstract expressions of the "Secret of the Bamboo Forest in the South of the Yangtze River", the "windy path leading to the quiet" on the road of design creativity, and it also reflects the complex nerve structure inside the designer's brain. Nature, humanities and space, through the designer's conception, refinement and transformation, form a splendid free world.
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