概念源自于制作威士忌的原料（大麥），本空間以“大麥”為主要提煉元素，先由單一的自然形態(tài)到組合裂變形態(tài)，再由“繁”至“簡(jiǎn)”轉(zhuǎn)換形態(tài)并植入到以酒吧中部為核心的主酒架區(qū)域，突出為之相聯(lián)的主題。泛金色的金屬質(zhì)感融入到整體空間中，進(jìn)一步體現(xiàn)威士忌的固有色，并在燈光的映射下顯得流光溢彩，光影之間猶如半畝方塘一鑒開，天光云影共徘徊。
The concept originated from the raw material (barley) for making whisky. This space takes “barley” as the main extraction element, first from the single natural form to the combined fission form, and then from the “complex” to “simple” transformation form and implanted into the main wine shelf area with the center of the bar as the core, highlighting the related theme. The pan-golden metal texture is integrated into the overall space, further reflecting the inherent color of whisky, and under the map of the light appears to be the light and color, between the light and shadow is like half an acre of a pond, a mirror opened, the sky light and cloud shadow wander togethe.

▼概念運(yùn)用轉(zhuǎn)換而來(lái)的穹頂及酒架，猶如金燦燦的麥穗，仿佛在麥田中起舞飛翔。
The concept of the use of converted dome and wine rack, like golden wheat ears, as if dancing in the wheat field.?羅淞元

▼落座區(qū)局部
partial view of the seating area ?羅淞元

空間概念分析示意圖 + 空間解構(gòu)分析示意圖
Schematic diagram of spatial concept analysis + Schematic diagram of spatial deconstruction analysis

▼概念分析圖
the concept diagram?羅淞元

▼空間解構(gòu)圖
the exploded axon?羅淞元

入口區(qū)域THE ENTRANCE AREA

基于場(chǎng)地內(nèi)與主入口外的地平線有高低落差之因，故在入口的過(guò)渡空間中增加了臺(tái)階，同時(shí)利用地面燈光與半透的金屬隔斷變換在光與影之間，增加了空間虛與實(shí)的層疊感，使動(dòng)態(tài)線循序漸進(jìn)，既保證了主入口的完整性也提煉了酒吧的私密性。
Based on the field and outside the main entrance of the horizon because of a fall of on any account, therefore increase the steps in the transition of entrance space, at the same time use the metal ground lights and a semipermeable partition transformation between light and shadow, and the space increased cascade of virtual and real feeling, make the dynamic line step by step, not only ensure the integrity of the main entrance and refine the illicit close sex of the bar.

▼在入口的過(guò)渡空間中增加了臺(tái)階，同時(shí)利用地面燈光與半透的金屬隔斷增加了空間虛與實(shí)的層疊感。
increasing the steps in the transition of entrance space, and using the metal ground lights and a semipermeable partition to create the cascade of virtual and real feeling ?羅淞元

中央主酒架/吧臺(tái)區(qū)域CENTRAL MAIN BAR/BAR AREA

在整個(gè)空間的視覺(jué)上以黑/金色為主基調(diào)，營(yíng)造一種神秘的高貴感。黑/金色的搭配與碰撞一直是時(shí)尚界的寵兒。黑色，作為一個(gè)強(qiáng)大的色彩，它可以很莊重也可以很高雅，是一種具有代表多種不同文化意義的顏色。金色是金屬金的顏色，具有光澤，它是大自然中至高無(wú)上的純色，象征太陽(yáng)的顏色，代表著溫暖與幸福。本空間的金色概念更多的是為了體現(xiàn)威士忌酒本身的固有色，在不同的燈光呈現(xiàn)下映射出不同的金色，也如同表達(dá)一種不同年份的威士忌酒該有的色彩。
On the vision of whole space with black/aureate give priority to fundamental key, build a kind of mysterious noble sense. Black/gold matching and collision has always been the darling of the fashion world. Black, as a powerful color, can be solemn or elegant, and is a color that represents many different cultural meanings. Gold is the color of metallic gold, with luster. It is the supreme solid color in nature, symbolizing the color of the sun, representing warmth and happiness. The concept of gold in this space is more to reflect the inherent color of whisky itself. Different golden colors are reflected in different lights, which is like the color of whisky of different years.

▼中央主酒架/吧臺(tái)區(qū)域，整個(gè)空間的視覺(jué)上以黑/金色為主基調(diào)
the central main bar area, on the vision of whole space with black/aureate give priority to fundamental key ?羅淞元

爵士樂(lè)舞臺(tái)區(qū)域JAZZ ARENA AREA

地面射燈映射在黑色肌理墻上形成的光束，猶如時(shí)光隧道，帶人一種具有想象空間的畫面。舞臺(tái)區(qū)域的純灰色調(diào)與空間周邊的暖色調(diào)形成一種鮮明的色彩對(duì)比，它的角色是扮演著這個(gè)舞臺(tái)表演者的配角，它不需要喧兵奪主，它把最好的色彩與時(shí)光留給舞臺(tái)的主角。
The light beam that the ground spotlights map on the black texture wall is like a time tunnel, bringing a kind of picture with imagination space. The pure grey tone of the stage area forms a bright color contrast with the warm tones around the space. Its role is to play the supporting role of the stage performers. It does not need the small troops to seize the main role.

▼舞臺(tái)區(qū)域的純灰色調(diào)與空間周邊的暖色調(diào)形成一種鮮明的色彩對(duì)比
the pure grey tone of the stage area forms a bright color contrast with the warm tones around the space ?羅淞元

威士忌與鹿的故事WHISKEY AND THE DEER

在本案設(shè)計(jì)中，空間墻壁以“鹿”為軟裝飾，進(jìn)一步映襯著威士忌酒的起源故事，并在天花鏡面的反射下勾勒出橢圓的虛實(shí)空間，如同小鹿在開放與自由的天地中奔跑?！奥埂笔翘K格蘭高地的常見物種，在森林與草原文明時(shí)代中，它被賦予祥瑞、權(quán)威、力量、優(yōu)雅與神秘的象征，也象征著蘇格蘭人民為了自由，與統(tǒng)治者不屈不撓斗爭(zhēng)的故事?！奥埂弊鳛樘K格蘭威士忌酒中常見的標(biāo)識(shí)，也更具獨(dú)特的地域文化特色。
In the design of this case, the space wall is soft decorated with “deer”, which further reflects the origin story of whisky, and draws the outline of the oval virtual and real space under the reflection of the ceiling mirror, just like the deer running in the open and free world. “Deer” is a common species in the Scottish highlands. In the forest and grassland civilization, it was endowed with auspicious, authoritative, powerful, elegant and mysterious symbols. It also symbolizes the story of the Scottish people’s indomitable struggle against the rulers for freedom. “Deer” as a common logo in scotch whisky, but also more unique regional cultural characteristics.

▼空間墻壁以“鹿”為軟裝飾
the space wall is soft decorated with “deer” ?羅淞元

▼墻面局部及落座區(qū)
the wall surface details and the seating area ?羅淞元

中轉(zhuǎn)區(qū)域TRANSIT AREA

在進(jìn)入洗手間之前的過(guò)渡空間中，以橡木做舊色為元素的裝飾墻并結(jié)合燈光，如同醞釀威士忌酒的“橡木桶陳年”，在經(jīng)過(guò)歲月中的洗禮、醞釀、成長(zhǎng)、蛻變、成熟，最終驚艷地出現(xiàn)在人們的目光中，接受大家的贊美，同時(shí)也傳達(dá)著一種自然生態(tài)的理念。
Before getting into the bathroom of the transition space, make the decoration of the old color as elements in oak wall combined with lighting, like brewing whisky “oak aged”, after years of baptism, brewing, growth, transformation, mature, eventually jing to appear in people’s eyes, accept everyone’s praise, it also conveys a feeling of a kind of natural ecological concept. ?羅淞元

▼以橡木做舊色為元素的裝飾墻細(xì)節(jié)
details of the oak wall with the decoration of the old color ?羅淞元

▼平面布置圖
layout plan?羅淞元

以“大麥”概念轉(zhuǎn)換的中央吧臺(tái)區(qū)，并結(jié)合以“小鹿”為概念的軟裝飾，從而延展到威士忌酒的起源故事，設(shè)計(jì)師羅淞元希望傳達(dá)給此空間的體驗(yàn)者一種生活場(chǎng)景：將這里的“大麥”所生長(zhǎng)的田野與自然引入，營(yíng)造出一種此處安心，便是吾鄉(xiāng)的生活場(chǎng)景。
Barley “concept transformation in the middle of the bar area, combining with” the deer “for the concept of soft adornment, thus extending to the origin of the whisky, the designer Luo Song yuan want to convey to the experience of this space is a scene of life: will the” barley “the introduction of the growth of the field and nature, and create a comfortable here, life is my hometown.

項(xiàng)目名稱 | 貴陽(yáng)LOLLIPOP威士忌酒吧設(shè)計(jì)
業(yè)主單位 | 貴州蘿莉婆婆文化娛樂(lè)有限公司
項(xiàng)目地點(diǎn) | 貴州省貴陽(yáng)市南明區(qū)機(jī)場(chǎng)路18號(hào)亨特國(guó)際（索菲特酒店）一樓
室內(nèi)設(shè)計(jì) | DDID鼎點(diǎn)室內(nèi)設(shè)計(jì)(深圳)
主筆設(shè)計(jì) | 羅淞元
專案設(shè)計(jì) | 張俊峰
設(shè)計(jì)團(tuán)隊(duì) | 胡楊、夏永昊、劉子健、陳明輝
建筑面積 | 230㎡
完工時(shí)間 | 2019年10月
主要材料 | 古銅不銹鋼、水泥板、鏡面鋁扣板、花磚

設(shè)計(jì)師羅淞元
畢業(yè)于深圳大學(xué)藝術(shù)設(shè)計(jì)學(xué)院，DDID設(shè)計(jì)總監(jiān)/高級(jí)室內(nèi)設(shè)計(jì)師；從業(yè)十載，其設(shè)計(jì)作品屢獲設(shè)計(jì)大獎(jiǎng)，堅(jiān)持從理解產(chǎn)品核心特性出發(fā)，以研究的態(tài)度做設(shè)計(jì)，透過(guò)空間結(jié)構(gòu)而延展到燈光與色彩分析，善于打造具有時(shí)間延伸性的空間作品。


DDID鼎點(diǎn)室內(nèi)設(shè)計(jì)（深圳）是一家具有國(guó)際設(shè)計(jì)視野的設(shè)計(jì)機(jī)構(gòu)，設(shè)計(jì)業(yè)務(wù)涵蓋商業(yè)/會(huì)所/餐飲/辦公空間等領(lǐng)域，秉承“以人為本”的設(shè)計(jì)理念，追求人/空間/自然的平衡，結(jié)合品牌/商業(yè)/人群及定位需求，為客戶提供全方位和定制化的解決方案。


榮譽(yù)獎(jiǎng)項(xiàng)：
1. 2019年獲廣州設(shè)計(jì)周“紅棉獎(jiǎng)?2019室內(nèi)設(shè)計(jì)獎(jiǎng)”
2.2019年獲“第九屆中國(guó)國(guó)際空間設(shè)計(jì)大賽（中國(guó)建筑裝飾設(shè)計(jì)獎(jiǎng)）China intefnationalspace design competition 組委會(huì)提名獎(jiǎng)”
3.2019年獲“第九屆入圍國(guó)際空間設(shè)計(jì)大獎(jiǎng)”艾特獎(jiǎng)丨IDEA-TOPS”最佳商業(yè)空間設(shè)計(jì)獎(jiǎng)”
4.2018年獲“第十三屆“金外灘丨The golden bund award ceremony”優(yōu)秀設(shè)計(jì)獎(jiǎng)”
5.2017年獲“第七屆作品入圍國(guó)際空間設(shè)計(jì)大獎(jiǎng)”艾特獎(jiǎng)丨IDEA-TOPS”最佳居住空間設(shè)計(jì)獎(jiǎng)”
6. CUBE180國(guó)際空間設(shè)計(jì)大賽銀獎(jiǎng)